When the Editor of the following volumes published, about two years since, the work called the "Antiquary," he announced that he was, for the last time, intruding upon the public in his present capacity. He might shelter himself under the plea that every anonymous writer is, like the celebrated Junius, only a phantom, and that therefore, although an apparition, of a more benign, as well as much meaner description, he cannot be bound to plead to a charge of inconsistency.
A better apology may be found in the imitating the confession of honest Benedict, that, when he said he would die a bachelor, he did not think he should live to be married. The best of all would be, if, as has eminently happened in the case of some distinguished contemporaries, the merit of the work should, in the reader's estimation, form an excuse for the Author's breach of promise.
Without presuming to hope that this may prove the case, it is only further necessary to mention, that his resolution, like that of Benedict, fell a sacrifice, to temptation at least, if not to stratagem. It is now about six months since the Author, through the medium of his respectable Publishers, received a parcel of Papers, containing the Outlines of this narrative, with a permission, or rather with a request, couched in highly flattering terms, that they might be given to the Public, with such alterations as should be found suitable.
These were of course so numerous, that, besides the suppression of names, and of incidents approaching too much to reality, the work may in a great measure be, said to be new written.
(mh=MXMHWms20uPmxSsW)8.jpg "Woman in Inglewood")
Several anachronisms have probably crept in during the course of these changes; and the mottoes for the Chapters have been selected without any reference to the supposed date of the incidents. For these, of course, the Editor is responsible. Some others occurred in the original materials, but they are of little consequence.
