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To browse Academia. The research examines the role of popular music in shaping social relationships and identities within Freetown, Sierra Leone. It highlights how music serves both as a means of connection and disconnection among diverse social groups, transcending and reinforcing various societal divides, including economic, political, and generational lines.
The study emphasizes music's unique ability to create communal spaces for shared experiences in a context marked by poverty and fragmentation. The Routledge Handbook of Semiosis and the Brain. Edited by Adolfo M. How People Compare eds. Pelkmans and H. Walker , Log in with Facebook Log in with Google. Remember me on this computer. Enter the email address you signed up with and we'll email you a reset link. Need an account? Click here to sign up.
Beautifully written, this thesis brings the reader to an unexpected social reality in Freetown that does not fit the common media and Western stereotypes of the capital of a war-torn country. Music is rather an expression and vehicle of society and social relations with all their contradictions and paradoxical tendencies.
This fascinating complexity is superbly captured. In this sense, I, first and foremost, want to apologize to all those affected by my prolonged absence and recurring disconnections.
I owe my deepest gratitude to my family, without whose support I could have never finished this work. I am equally strong indebted to my academic supervisors. In the first place, to my two main supervisors: Paul Richards, whose combination of divine-like perspicacity, illuminating comments, sharp critiques, wisely timed reticence and solace were the best teaching I could possibly imagine; and Daniela Merolla, without whose inexhaustible enthusiasm, encouraging ideas, and generous intellectual incentives I would not have reached terra firma.