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Artist administrators Gaby Montejo, Lucy Matthews and Audrey Baldwin facilitate a much broader, non-hierarchical collective, which shifts and changes to fit opportunities as they present; the collective includes anywhere between three - forty artists, depending on who you ask. The Social seeks to create art experiences that are meaningful, relevant, collaborative and fun.
Their operation is the epitome of low frills DIY. Each of their projects typically brings together a group of artists on a shoestring budget, who work together to establish environments for art-based, social connections to occur. Key to their methodology is a democratic, accessible and transparent process. Following open calls for proposals, they try to ensure work remains relevant to a general public by enlisting non art-specialist panelists from a wide variety of backgrounds to assist with the selection process.
The Social encourages art to live and breathe outside of its usual infrastructure. Much of their work has taken place outside of galleries, and the group has become masterful in manipulating sites to fit their purpose, whether it is in a pop up exhibition in an untenanted shop, a performance on a vacant lot or a residency in a thrift store. Since , The Social has also been offering residencies, rotating through a series of public posters, and giving admin and consultation support to other city-wide projects such as First Thursdays Christchurch and Open Workshop.
She is also a qualified teacher with a degree in Anthropology. Focusing on ideas around time through the intersection between different mediums, mainly photography and painting, she also works with installation and interractive projects. Her work is often layered and uses found materials; time, memory and human traces are fundamental. Adrienne relocated to Wellington mid , which saw her participating in her new project β Wellington Housesitting Art Residency.
Living in 12 houses in 7 months provided the chance to further explore ideas of longing, and notions around presence and absence. Adrienne has exhibited in New Zealand, Australia and Japan, with her work held in private and public collections, including the University of Canterbury and James Wallace Trust Collection.