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Evgeny Kissin : Oh no, not at all. I must say that these questions are far from my mind when I come here. I give interviews in this hotel because it's practical for me: my home is only five minutes away by foot. That's all. I do the same in London.
That's the only reason for this choice. So this means that you live and give concerts mainly in the large urban centers of Europe, the Americas, and Asia β all of which are densely populated and built. Do you not miss wide, open spaces from time to time? I mean, both literally and metaphorically, the vast horizons of your native land, where you lived for twenty years. This feeling of the sheer immensity of this space has inspired and fed the work of visual, musical, and literary artists, as you are well aware.
Do you not, as a virtuoso, ever feel the need to I love the countryside, I love nature, but I don't live in it, and I spend very little time surrounded by it. I also love cities and historic neighborhoods. I'm interested in architecture, that of Paris just as that of Japanese megalopolises. And I like people. I like to see and meet people. I would be incapable of living or spending long periods in the countryside.
What musical impressions have stayed with you from the Moscow of your childhood? I'm sure you had the opportunity to hear a number of acclaimed musicians. I did indeed have the opportunity to attend many concerts, and most were of very high level. Oddly enough, though, I never heard Gilels [] in person, for example. That's really unfortunate. I was only able to see a televised rebroadcast of some of his last appearances, even though he was still living at the time.
I never heard him in the flesh, though I nonetheless remember very clearly his interpretation of Schumann's Symphonic Etudes recorded in the Great Hall of the Moscow Conservatory. I'm not referring to the version that was recorded in the Tchaikovsky Hall, which can also be found in stores.