Ewa Vittorias coordinates the internal research support services at Johannes Gutenberg University Mainz and assesses applications for financing through Research Funding Line I. Students have worked long and hard on them — it was no easy task. What does the great Chilean poet Zurita have in common with the three most important German postwar action artists? The Professor of Spanish and Portuguese Cultural Studies points out some initial common characteristics, which are not immediately obvious.
It gets stuck in the throat, it makes everyone uncomfortable. The C. However, sometimes a bit more is needed — as in the case of Bizama. In the form of the internal Research Funding Line I, the university administration has created a means of flexible promotion of research at JGU. The range of topics of proposed schemes is enormous.
Research projects into the lifestyles and life designs of women in Rwanda, into tourism in the Arab Gulf states, or into improvements to the efficiency of chemotherapy are just a selection of the subjects on Vittorias' extensive list. Resarch Funding Line I is also about improving project visibility. The university wants to demonstrate in what research areas it is currently active and also particularly make the achievements of its young academics more evident.
It points to research projects that the university recommends for further support from the EU or from institutions like the German Research Foundation DFG. The proposal regarding the artist and action art collective C. However, over the past few years the faculty has made a name in other areas, too. They are taking completely new directions in translation research.
Liliana Bizama has ambitious goals. She is personally acquainted with the artists of the Chilean Colectivo Acciones de Arte, which produced daring action art material that was designed to challenge the regime of the dictator Pinochet. In she invited Zurita, who is one of the C.
