The Rialto Report podcast is dedicated to the golden age of adult film in New York. It features interviews, profiles and features of the actors, directors, distributors, cinema owners, crew members and anyone else who was a part of making it happen⦠from the great and the good, to the notorious and the obscure, you'll find them all covered here.
From time to time, they would joke about the fortune teller that the three men had consulted when they escaped from Cuba. Greg Sandor had moved out the California and had indeed found the money and respect that had been predicted for him. Rafael had lived a lower profile existence but with more regular work than his two friends: due in part to his jack-of-all-trades skill-set and willingness to get involved in anything, he was always in demand.
He was a cameraman, editor, lighting, gaffer, soundman, and production manager who was cheap and could always be relied on to deliver a decent job. But as the s turned into the 70s, the film business was changing: the innocent exploitation films that had greeted them when they arrived from Cuba were giving way to more explicit sex movies whose legality was questionable, and Rafael was suddenly being offered an altogether different kind of job.
Their overlapping personal histories reveal an untold chapter of adult film history β and the hidden role that Cubans played in shaping it. These are some of their stories. Her father, Maurice Bichette, had married looking for a settled, quiet existence, but her mother, Dolores, wanted to live her life moving in the opposite direction.
Dolores had come from a protected, patriarchal, patriotic Cuban household, and she longed for the excitement and glamor that she saw onscreen in her favorite Hollywood movies.
