
WEIGHT: 67 kg
Bust: 2
1 HOUR:80$
NIGHT: +90$
Services: Fetish, Massage, Oral, Mistress, Strap On
Photo: Richard Ecclestone. So, you can synthesize a Hammond's tonewheel generator β but what about its all-important effects? This month, we look at recreating the Hammond's percussion, vibrato, overdrive, and reverb β and find that it's harder than you might think I find that my relationships with my synths can be much like any other romantic entanglements When you're lucky, everything comes naturally, and you attain what you crave both easily and quickly. On other occasions, you have to work hard at things, and sometimes you just have to give up, pretending that you weren't that interested in the first place.
For the past two months, I think that it's fair to say that this series has been dishing up a good deal of the former, with the basis for some fine tonewheel organ patches being produced on some unlikely synths. So now, we're going to attempt to spice things up still further. Unfortunately, as in real life, some relationships start out as fun, but lead to frustration, although you usually learn some important lessons on the way.
In this case, even though we don't necessarily achieve everything we set out to do, there's plenty to be learned about how a tonewheel organ creates its distinctive sound along the way. Just across the room from where I'm writing, there sits one of greatest organs ever crafted by human hands: a Hammond A, an instrument every bit the equal of the B3 and C3. If you're unacquainted with Hammond genealogy, let me explain For many decades, the company had a policy that its 'spinet' organs those with four-octave keyboards had built-in speaker systems, while the larger 'console' organs those with five-octave keyboards required external speakers, or 'tone cabinets'.
Sometime after the launch of the B3 and C3 in , Hammond's customers made it clear that they wanted a self-contained organ with the wonderful sound of the new flagships, but also the reverb and internal speakers of the less expensive spinets. So close is the relationship between the B3, C3 and A that there is nothing to stop you from sliding the tonewheel generator out of one and wiring it into the others well, nothing other than a few hundred wires!
This means that the A is the superior of the three organs, because it sacrifices nothing, but takes up less room and adds the reverb and speaker system. This superiority is not borne out by the second-hand prices of these models, which baffles me, but there it is.